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Cartoonist: Eddie Porter Publisher: Self-published

Stroper, issue #1, cover, Self-published, Porter

This review covers the first 4 issues of a 10-issue series. We don't get insight into the entire story arc, but we still get a pretty good idea of where it's going.


A retro-neo-noir (I know, it sounds crazy, but it works) about one man's revenge for wrongful imprisonment, and the events leading up to it.

It's like a limited-cast Firefly meets The Count of Monte Cristo, done in a Blade Runner tone, '80s color and hairstyles, and old-school computer graphics.


(Minor Spoilers)

A "stroper" is someone who illegally hunts and sells animal wildlife.

When the book opens, our hero is in jail, presumably for illegally hunting and selling wildlife. But his narration makes it sounds like he wasn't exactly put there fairly.

He tells us his name is Pak Booker, and he's going to break out of jail and get revenge on the captain who put him there.

Flashback to the mission where it all started going wrong. He's with his robot partner, hunting a giant space beast on an alien moon, but the mission went sideways. His bad luck continues when he meets a captain who we assume will be the one to eventually put him in jail

We jump back and forth in the story, between the events leading to his imprisonment and present day, as he plans to break out and get his revenge.

Though it's already 4 issues into this 10-issue run, the action is just getting started in Stroper.


  • Eddie Porter is the cartoonist on this comic, filling the role of writer, line artist, colorist and letterer pretty well for someone new to comics!

  • He knows when dialogue is important and when to let the visuals take control

  • The story itself is well-paced, and the issues flew by

  • I personally loved that we start out with the character's name, location and motivation right off the bat

  • This sets expectations of story and genre right away and plays up the classic action noir tones

  • The comic stars a kind of animal bounty hunter, and it's a revenge story -- what's not to like?

  • The art has such a unique, realized, retro video game/computer generated style and it works very well for this story

  • The large-scale galactic designs are especially a treat -- I want to make them my phone's wallpaper

  • Full, retro/'80s-inspired color brings so much style and energy to the art

  • Love the moments of social commentary (see the page below for an example)

  • Only $1.99 an issue or free on the Webtoons and Tapas apps!


  • The title could benefit from a professional letterer and proofreader or copyeditor

  • The Ps and Ds look a little too similar

  • The Ts are asymmetric and cause some kerning issues

  • A fair amount of grammatical (mostly punctuation) errors throughout took me out of it, but may not have the same effect for people less sensitive to this sort of thing

  • Characters' eyes in this art style always seem either surprised or enraged

  • While this may be harder to tell what emotion each character is feeling, the genre this story is playing in isn't exactly famous for strong emotion, so this didn't bother me too much

  • Some cursing, so be mindful of that if you're giving this coming to young readers

Stroper, issue #3, page 2, Self-published, Porter


It's a highly stylish story that has some of the best aspects of futuristic scifi and retro design. Plus, who doesn't want to read a good tale of revenge?


If you like the writing:

  • Serenity, Vol. 1 by Joss Whedon, Brett Matthews & Will Conrad

  • The Fuse by Antony Johnston & Justin Greenwood

  • V for Vendetta by Alan Moore & David Lloyd

If you like the art:

  • Stroper #5 by Eddie Porter

  • Altered Carbon by Richard K. Morgan & Rik Hoskin

  • The Long Tomorrow by Dan O'Bannon and Moebius


Eddie Porter – Cartoonist

  • Multitalented: Has been working as a visual effects artist in the movie industry for 11 years

  • New Face: This seems to be Eddie Porter's first comic!


Click one of these:

The image(s) used in this article are from a comic strip, webcomic or the cover or interior of a comic book. The copyright for this image(s) is likely owned by either the publisher of the comic, the writer(s) and/or artist(s) who produced the comic. It is believed that the use of this image(s) qualifies as fair use under the United States copyright law. The image is used in a limited fashion in an educational manner in order to illustrate the points of the author and not for the purpose of entertainment or substituting the original work. It is believed the use of this image has had no impact on the market value of the original work.

All Eddie Porter characters and the distinctive likeness(es) thereof are trademarks of and copyright Eddie Porter or their respective owners. ALL RIGHTS RESERVED

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