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Writer: Christian Carnouche Art: Crizam Zamora Publisher: Carnouche Productions

The Resurrected, issue #5, cover, Carnouche Productions, Carnouche/Zamora


An action-packed, semi-dystopian future, sci-fi thriller that begins with a murder mystery and becomes something more.

It feels very Blade Runner/Altered Carbon, but with more sunshine.


(Moderate Spoilers)

It's the not-so-distant future, but the world feels different. A mere five years earlier, a techno-plague wiped out part of the population, leaving scars many are still trying to heal from. Corporations are powerful, especially Drexler Nanotech Corporation, who invented a serum that resurrects the dead. Though the serum was outlawed because of its moral implications, it doesn't stop others from using it to bring people back to life.

And it's here in this strange new world that we encounter the mystery to be solved: when one of these resurrected individuals is brutally murdered. The Aboriginal-Australian detective on the case, Cain Duluth, is our protagonist. He teams up with his Japanese-American partner to solve this murder mystery, but they quickly learn that there's more to this mystery than meets the eye as they go deeper down a rabbit hole that connects to Drexler Nanotech, painful parts of Cain's past and Australia's indigenous people.

Issues #2 & 3 address white imperialism and institutionalized racism head-on while also developing more of the story on the serum and Australia's indigenous people and hitting some absolutely necessary detective-movie-style plot points.

Issue #4: In this issue, we get some really fantastic action sequences and just SO MANY classic action movie milestones, it'd almost be comical if it weren't for an obvious deep love of the genre. I may go into all of these milestones across every issue once I cover the final issue/the entire trade.

Issue #5, The Final Update:

It's time to confront the Drexler Corporation in this action-packed finale! All will be revealed in this final issue of the series. How can our heroes stop an entire corporation? How do indigenous people and the resurrection serum fit into all of this? You're going to have to read to find out!


  • It's a sprawling, futuristic action comic that would make for a spectacular summer blockbuster film

  • In fact, it feels like it was created to be optioned for film, even down to the publisher being called Carnouche Productions

  • Major points for representation, with an Aboriginal protagonist and a plot that centers around Australia's indigenous people, and a Japanese-American woman as his partner

  • Indie comics don't often have color, especially full color this well done

  • The greater, overall plot is well-planned, and feels familiar enough that we know we can settle in as the narrative takes us for a good ride

  • If you like neo-futurism with noir roots and all-too-powerful corporations, this is the comic for you

  • The end of each issue will definitely leave you wanting more!

  • Some really impressive action sequences

  • Also learned a bit about aboriginal culture and history through this title

  • Was fun seeing the comic's creators make cameos in the final issue

  • See which ones you can spot!


  • The dialogue and some plot points can feel a little stilted; at one point, beautiful women fawn over the main character (who is tall and beefy) and it all feels very male-fantasy-action-movie

  • Tied to this trope, we also get some of the problematic "Women in Refrigerators" (or women close to the main character who are hurt just to motivate the male main character)

  • Certain plot points can seem too easy, with not enough build-up to earn them

  • Throughout, I think we lose significance of the title's resurrected individuals and the resurrection serum -- it'd be really effective to see more of them throughout, but might make for a less straightforward story

  • If this ever gets made into a film or TV series, we'd have more room for something like this to be a fuller part of the environment


It's finely crafted action story by a talented team of creators. It fits right in with classic detective action stories while giving the genre a fresh, new spin that addresses problematic issues in Australian culture in a way that feels accessible to us Americans.


If you like the writing:

  • Under the Sun by Austine Osas, Abiodun Awodele & Yusuf T. Shittuh

  • The Fuse, Vol. 1 by Antony Johnston & Justin Greenwood

  • Tokyo Ghost by Rick Remender & Sean Murphy

If you like the art:

  • Vampirella, Vol. 1 by Collins, Berkenkotter, Zamora, Dodson, Frison, & Buscema

  • The Precinct: A Steampunk Adventure by Frank Barbiere & Crizam Zamora

  • Original Sin by Jason Aaron & Mike Deodato


Christian Carnouche – Writer

  • Founder of the publisher, Carnouche Productions

  • Outlander: He writes Australia so well because he's Australian!

  • Multitalented: He currently works with the United Nations

Cristhian "Crizam" Zamora – Illustrator

  • Outlander: Has lived in Uruguay, Moscow and Portugal

  • Dream Team: Has done multiple projects with colorist Salvatore Aiala

Salvatore Aiala – Colorist

  • Outlander: Lives in São Paulo, Brazil

  • Multitalented: Also works as a freelance painter of toys

  • Has also done work on big titles like Battlestar Galactica, Red Sonja & James Bond

Cardinal Rae – Letterer

  • Also works on breakout Image Comics hit, Crowded

  • Dream Team: Also worked with editor, Erica Schultz on multiple titles

Erica Schultz – Editor

  • Multitalented: Also writes and letters comics

  • Dream Team: Has worked with some big names in the comic industry, including G. Willow Wilson, Alan Moore & Garth Ennis

  • Participated in DC's writing workshop taught by Scott Snyder


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The image(s) used in this article are from a comic strip, webcomic or the cover or interior of a comic book. The copyright for this image(s) is likely owned by either the publisher of the comic, the writer(s) and/or artist(s) who produced the comic. It is believed that the use of this image(s) qualifies as fair use under the United States copyright law. The image is used in a limited fashion in an educational manner in order to illustrate the points of the author and not for the purpose of entertainment or substituting the original work. It is believed the use of this image has had no impact on the market value of the original work.

All Carnouche Productions characters and the distinctive likeness(es) thereof are trademarks of and copyright Carnouche Productions or their respective owners. ALL RIGHTS RESERVED

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