BARBARIC: THE LONG DEATH, ISSUES #1-2 Advanced Review
- Dan Newland
- 18 minutes ago
- 3 min read

Publisher: Vault Comics
Release Date for Issue #2: Feb 18
Cover Price: $6.99
Publisher's Solicit: Wha--you didn’t think we’d come back? BARBARIC loves you! AXE LOVES YOU! And he’s giving you his heart, in the form of THE LONG DEATH #1. Our heroes slaughter their way ever closer to the answers to their big questions. Owen learns all about his curse; Soren learns about her curse; Axe gets drunk. The consequences are…BARBARIC.

Writer: Michael Moreci
Artist: Nathan Gooden
Colorist: Fabiana Marques
Letterer: Jim Campbell
WHAT IS IT? For half a decade now Moreci and Gooden have been bringing us these adventures of an unwilling hero and his foul-mouthed axe. Like the demon child of Groo and Conan the Barbarian, Barbaric is a perfect blend of magic, mayhem and mirth.
WHAT'S IT ABOUT? Vault's Barbaric books have been coming out in three-book volumes for a few years now, with some one-shots and spinoff titles thrown in the mix as well. Because of that our hero Owen the Barbarian has accumulated a significant backstory and a full cast of supporting characters. This time he is teamed up with the witch Soren and a fawn named Toro, who's lost memories may hold the secrets behind the curse Owen is under. In search of Toro's memories they slaughter their way through Soren's childhood homeland, face off against witches and gods, and enter a cave filled with familiar foes, including another potty-mouthed weapon!
WHAT WORKS? Moreci consistently achieves an almost alchemical balance between humor, drama and outlandish violence throughout the Barbaric books, and it is on display again here. Gallows humor has never been more entertaining. Nathan Gooden's art is exactly what the story needs. His thick lines and solid characters give a brutal, grounded feel to the pages, with exaggerated expressions and over-the-top kinetic action scenes that perfectly pay off the bloody intent of the script. Fabiana Marques had a tough act to follow last year when she took over from Addison Duke, who had done brilliant color work on the first three volumes. She did great work on Barbaric: Born in Blood, and continues to shine here, especially in her interpretation of magical energies. Very few books are improved by their lettering as much as Barbaric is. Jim Campbell has found a look in this series that is distinct and perfectly appropriate to the tone. His unique font and bubble choices for Axe and a number of other characters feel organic, but add texture and to dialogue and scenes.







